The ambitious production attempts to convey the moral decay and decadence of the wealthy, but its excess-pumped execution comes across as mostly gimmicky and emotionally hollow.

"I’ve had many people come up to me after the movie and say, ‘I came because I hate your movie’s title and I wanted to hate your movie, but I ended up really connecting with it and finding out that it’s not about shallow hipsters.’"

Après avoir passé 8 jours à engloutir un nombre impressionnant de longs, de courts et de documentaires, quelques moments nous restent en tête.

Today, we conclude our “SXSW for business AND pleasure” series with Marilis Cardinal and Eric Lavallée.

Gordon's photo exhibit, Kanaval, chronicles the coastal town of Jacmel's annual carnival. There, participants of all stripes shine in all their inspired, pre-Mardi Gras ritual glory!

The premise for the film, which premiered at Sundance earlier this month and debuts in Montreal at Cinéma du Parc, finds Grohl revisiting the L.A. studio described as “rock ‘n’ roll’s best kept secret” mere weeks before it permanently closed in May 2011.

Dans De rouille et d’os, l’acteur belge interprète un jeune père un peu bagarreur qui peine à joindre les deux bouts. Schoenaerts livre une performance foudroyante dans l’un des rares chefs d’œuvre de l’année.